“Fifteen years ago I came here with Lily,” he thought. “We sat somewhere over there by a lake and I begged her to marry me all through the hot afternoon. How the dragonfly kept circling round us: how clearly I see the dragonfly and her shoe with the square silver buckle at the toe. All the time I spoke I saw her shoe and when it moved impatiently I knew without looking up what she was going to say: the whole of her seemed to be in her shoe. And my love, my desire, were in the dragonfly; for some reason I thought that if it settled there, on that leaf, the broad one with the red flower in the middle of it, if the dragonfly settled on the leaf she would say “Yes” at once. But the dragonfly went round and round: it never settled anywhere—of course not, happily not, or I shouldn’t be walking here with Eleanor and the children—Tell me, Eleanor. D’you ever think of the past?”
— “Kew Gardens” by Virginia Woolf
Technique
In “Kew Gardens,” Virginia Woolf uses natural symbolism to depict time passing and change.
The above passage starts with a memory of 15 years ago and a woman named Lily. The look back to 15 years ago is an obvious sign of a flashback, while the name “Lily” represents transcience. Then the dragonfly’s indecisiveness on a landing spot mirrors Lily’s, whose silence speaks to her decision on marrying Simon.
Use
- Assess how your story setting can become a part of your character and vice versa. When the two planes combine, it creates new imagery and meaning in your story.
